Special Guest; Audiologist Dr. Marshall Chasin
“Music exposure can pose a problem, especially with the advent of “portable” music. Despite the complexity of the human auditory system, it does not know the difference between industrial noise and music. Indeed, many of the factors can equally affect music exposure as well as industrial exposure. This talk is an overview of those factors affecting hearing for musicians as well as environmental strategies and hearing protection to minimize the potential damaging effects of music.”
Dr. Marshall Chasin is an audiologist and the Director of Auditory Research at the Musicians’ Clinics of Canada,Adjunct Professor at the University of Toronto (in Linguistics), and Associate Professor in the School of Communication Disorders and Sciences at the Western University. He is the author of over 200 articles and 8 books including Musicians and the Prevention of Hearing Loss. He currently writes a monthly column in Hearing Review called Back to Basics and a weekly blog at www.HearingHealthMatters.org/HearTheMusic. Dr. Chasin has been the recipient of many awards over the years including the 2012 Queen Elizabeth II Silver Jubilee Award for service to Canada. He has developed a new TTS app called Temporary Hearing Loss Test app.
In case you missed the September Ravel;
Vivek Sharma; Vivek Sharma is a PhD Candidate in Music and Health Sciences working at the Rotman Research Institute at Baycrest Hospital in Toronto. He has worked with Daniel Levitin, Claude Alain, Michael Thaut and Lee Bartel, specializing in the effects of musical experience on neural activity during the categorization of sounds.
ABSOLUTE PITCH has been the subject of much speculation, mystery and debate. Is it teachable? Is it innate? Does it even exist? Our guest is at the forefront of brain research into this phenomenon, and has worked alongside brain scientist and author Daniel Levitin to uncover the mechanisms in the brain that, for certain people, allow them to equate a note name with a specific pitch, in much the same way that the written word “red” evokes a specific mental image of a colour. In fact, it is in the linguistic centre of the brain that this pitch information is processed! That means that those with absolute pitch may actually hear and experience music differently than those without it.
Vivek Sharma will return to Ravel shortly to continue the discussion on absolute pitch and pitch perception..
NEW ADVENTURES IN LISTENING – Film clips from “On The Waterfront” and “Ryan” are posted on the “Study Materials” page for download. With the sound removed, they can be scored as an exercise, and brough in to “Adventures in Listening” for feedback and analysis. Adventures in Listening is a unique opportunity to get unbiased and honest feedback on your ‘in-progress’ or experimental work from a community of your professional peers. Because it is anonymous, it is a risk-free environment. Whether you are an emerging composer or an experienced one, and whether your work is for concert or screen, I encourage you to take advantage of this invaluable resource.